#PBS THE CHAPERONE REVIEW SERIES#
It’s not just the presence of Fellowes, series regular McGovern or veteran “Downton” director Michael Engler. American audiences may know Fellowes best as the creator of TV’s “ Downton Abbey.“įans of that show’s strong writing, memorable characters, and production design should find much to enjoy here.
The screenplay adaptation for “The Chaperone” comes from writer Julian Fellowes. For Norma, it’s a step towards something equally grand – a fully-realized life of her own. For Louise, it’s the first major step towards worldwide stardom. Their journey together proves to be life-changing for them both. It’s not an easy task, especially since she has her own personal reasons for wanting to be in New York. While thoroughly nonplussed by her new ward’s attitudes, Norma does her best to keep the teen out of trouble once they arrive in the big city. Precocious and irreverent, Louise rejects every convention most “respectable” women, including Norma, hold dear. It’s not long before Norma realizes she’s in over her head with Louise. When she learns that Louise is in need of a chaperone to spend a summer in New York City studying dance, she impulsively volunteers.
When Norma meets 15-year-old Louise Brooks (Haley Su Richardson, “Edge of Seventeen”) following a dance performance, she’s immediately struck by the young woman’s talent and potential. What’s it about?Įlizabeth McGovern (“ Downton Abbey“) plays Norma Carlisle, a society matron and wife of an attorney in early 1920’s Wichita, Kansas. It’s a quietly moving film that, while thoroughly conventional, still manages to engage thanks to a solid script and fine lead performances.
“The Chaperone” is a charming film that uses the backdrop of the Jazz Age to tell a story of self-discovery and empowerment.
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